Elizabeth Ferrer

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Max Aguilera-Hellweg, The Lovers, 1989

The Latina Curators and Writers Remaking the American Photography Canon

How Arlene Dávila, Elizabeth Ferrer, and E. Carmen Ramos are working to challenge mainstream art history by inserting Latinx artists into white spaces.

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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