In her photographs of England’s stiles and centuries-old footpaths, the artist reflects on how we cross boundaries—and the ways we have shaped the natural world.
The newly opened Centre for British Photography promises to be an expansive and collaborative public-facing institution. Can it deliver?
From Aperture #212: Ian Jeffrey on Thomas Mailender’s use of the 1930s-era photographs published as The Night Climbers of Cambridge.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.