Whether in the UK or Ghana, the British photographer immerses herself in communities, and her images are infused with a spirit of collaboration.
In her photographs of England’s stiles and centuries-old footpaths, the artist reflects on how we cross boundaries—and the ways we have shaped the natural world.
The newly opened Centre for British Photography promises to be an expansive and collaborative public-facing institution. Can it deliver?
From Aperture #212: Ian Jeffrey on Thomas Mailender’s use of the 1930s-era photographs published as The Night Climbers of Cambridge.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.