Can photography be a form of play? The recent Foto/Industria Biennale shows how improvisation and mugging for the camera are as old as the medium.
With relentless optimism, the artist considers the value of mediocrity.
From the PhotoBook Review Issue 005, Erik Kessels celebrates an early work by Hans Eijeklboom.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.