exhibition review

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In Sigmar Polke's Experimental Images, the Negative is "Never Finished"

A striking exhibition in Paris revisits the treasures and dreams hidden beneath the German artist’s unorthodox photographs.

A Trailblazing Fashion Photographer's Turn to Collage

In the 1970s, Deborah Turbeville eschewed highly-sexualized photographs in favor of haunting portraits.

Wolfgang Tillmans at David Zwirner

A review of PCR, Wolfgang Tillmans’ first exhibition with David Zwirner Gallery, by Gabriel H. Sanchez.

Heritage and Home: Photographs of Hickory Nut Gap Farm

Diana C. Stoll reviews Ken Abbott’s new exhibition at the Asheville Art Museum, North Carolina, which focuses on the day-to-day of a prominent local farm.

William J. Simmons on Josef Astor at Participant Inc.

On Josef Astor’s recent exhibition at Participant Inc., New York, which connects photography, installation, and dance.

Willie Doherty – Without Trace – Zurich

Willie Doherty’s latest body of work focuses on the sense of alienation to be found in Zurich’s peripheral spaces. Martin Jaeggi assesses the photographs and video.

ECM—A Cultural Anthology

Designer Rob Giampietro assesses the legacy of ECM Records, which was recently surveyed in an exhibition at the Haus der Kunst, Munich, and its related catalog.

Dear Aby Warburg, What Can Be Done with Images?

Critic Noemi Smolik reviews the recent exhibition Dear Aby Warburg, What Can Be Done with Images?

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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