From Zambia to Japan, photographer Jonas Bendiksen tells their stories.
In France, photographer Alessandra Sanguinetti injects elements of fairy tales and fantasy into quotidian scenes.
Aperture commemorates the life of Robert Delpire (1926–2017).
Dasha Yastrebova captures a fleeting moment in Moscow’s queer underground.
In a series of photobooks from the revered South African photographer, stories of grace, beauty, and dignity.
At Walden Pond, New England-based photographer S.B. Walker meditates on the cruel contradictions of modernity.
Americans were supposed to break free of the class system. But, in Lauren Greenfield’s chronicle of American wealth, the desire for status is insatiable.
In Ayesha Malik’s new photobook, a California-style suburb in the heart of oil country.
In still lifes and portraits, Casper Sejersen reinterprets the script of Nymphomaniac.
Mohamed Bourouissa explores how a neighborhood on the verge of gentrification etches out marks of distinction.
Five reflections on the relationship between photography, citizenship, and the law.
What does photography look like in 2017? Emilia van Lynden of Unseen discusses how photography can be inclusive, flexible, and fun.
MoMA’s first fashion exhibition in seventy years is all about icons, accessories, and objects of desire.
In an unusual photobook, images move like the rhythm of free jazz.
The conceptual artist chooses ten of Shore’s little-known photographs that each have a voice of their own.
In searing and poetic images, Andrew Tshabangu chronicles Johannesburg in the age of democracy.
From Malick Sidibé to Stephen Shore, here are the must-see photography exhibitions in New York, Los Angeles, Paris, and beyond.
Two writers speak about the influential role—and responsibility—of art criticism in Africa today.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.