Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
Three celebrated photographers push the limits of sexuality and surveillance.
In photographs, our readers reimagine society’s portrayal of black men and boys.
How has feminist photography changed since the 1970s?
From protest images to the poetics of architecture, here are this winter’s must-see photography exhibitions in New York.
Amid the overwhelming barrage of news and ideas online, can an image change anything?
Is the U.S.-Mexico border a political calculation or a humanitarian crisis?
In Europe and the United States, Stéphane Duroy charts the course of “big” history.
Jo Spence rejected categorizing labels of her work and practice and preferred to wander.
The influential photographer, who once worked for JCPenney’s, riffs on nostalgic Americana.
Marilyn Minter brings her brand of glittery feminism to the Brooklyn Museum.
What role have images played in our collective memory of protest?
In the late 1970s, Mary Lucier pointed her camera at the sun and broke the rules of a new medium.
In his staged, gel-lit nudes, Jimmy DeSana explored the body as object.
In a region where women are regarded as an economic burden, Gauri Gill photographs girls in acts of quiet daring.
A collective of artists reimagines contemporary Greece.
In Eritrea, a young photographer pursues a cinematic vision.
At the Columbus Museum of Art, photographers look to the light in the sky.
An emerging guard of young, female photographers carves out a new brand of feminism.
The fiftieth anniversary edition of a…
