Save 30% on books, prints, and magazine back issues through Jan. 1, 2025. Shop now.
The Italian photographer Giulia Frigieri wanted to profile a young Iranian surfer. But there was more to the story than her images revealed.
Campbell Addy and Jamal Nxedlana speak about building international audiences for Black art, culture, and fashion.
In her latest photobook, the Japanese photographer discusses self-portraiture as a radical feminist gesture.
Since 2004, the Chinese photographer has captured the displacement of over a million people caused by the Three Gorges Dam.
Bruce Davidson, Miranda Barnes, Sohrab Hura and more on how photographs can represent solidarity—from demonstrations of unity in the face of adversity and oppression, to moments of community and connection.
Forty years after the publication of her collected essays on photography, Malcolm’s writing offers the pleasure of seeing a great mind grapple with the medium.
A new photobook revisits the Swiss photographer Karlheinz Weinberger’s images of rock-and-roll boys and edgy nudes in full glory.
Aikaterini Gegisian’s new artist book—made from appropriated images—centers physical pleasure as a form of resistance to capitalism.
Fusco’s photographs remain an incomparable document of gestures of public grief, capturing a moment of cultural shift unlike almost any other.
For some men, masculinity is a habit or an addiction—a promise of power. But in the #MeToo era, can “liberation” be found through photography?
Between 1997 and 2002, the photographer portrayed teenage girls as rebels, offering a radical vision of community against the masculine myth of the American landscape.
With its vivid color, indelible characters, and documentation of a pre-gentrified New York City, Goldin’s photography is a readymade mood board.
Judith Black’s new photobook traces her home life in New England from 1968 to 2000—and builds upon an American documentary tradition.
Lin Zhipeng, the photographer known as 223, looks for beauty, connection, and the impulse of friendship.
What does an insatiable collector do when all of New York’s bookstores and markets are closed?
In the wake of the pandemic and worldwide protests, exhibitions that address climate change, civil rights, and Black photographers take on new resonance.
In scenes of striking intimacy, Abdul Kircher searches for the brutal and the tender.
If fashion photography is defined by artifice, why does the industry crave rawness and reality?
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.
