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For the Thai American photographer, small beauties and unforgiving travesties are all part of what it truly means to live in Louisiana.
Patricia Voulgaris employs the visual language of the supernatural, tracing the tenuous line between belief and doubt.
Anabelle DeClement’s photographs consider how we interact with the people and places around us—and if we have the capacity to change.
In a psychologically-charged series, Rebecca Topakian reconstructs her dual identity from object-clues, collecting traces of herself in virtual and physical geographies.
Known for his distinctive work in fashion photography, Shah grew up in Uttarakhand, a state where many are leaving for the city. What would it mean to return home?
In her new photographs made in California and Mexico, Stone embodies a practice of Black critical looking—and shows the power of seeing and being seen.
At home in suburban Detroit, the Chinese American photographer invokes the unstable fantasias of personal memory.
Traveling the US from West to East, Miraj Patel inserts himself into landscapes charged with history and symbolism.
Venezuelan photographer Silvana Trevale navigates discomfort, longing, and unfamiliar rhythms by turning first to the sea, and then to herself.
In a new series about Chile’s political uprising, Javier Álvarez crafts a striking account of family grief and revolutionary joy.
In tentatively optimistic images of strangers, loved ones, and golden-hued landscapes, Widline Cadet memorializes everyday moments of beauty.
Yu-Chen Chiu examines collective experiences in the United States and the ways that historical narratives shape our future.
In a new series made in Upper Manhattan and the Bronx, the photographer searches for signs that could be taken for wonders.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
