A reissue of “NEUF”—which championed Henri Cartier-Bresson, Robert Frank, and Brassaï—shows why Robert Delpire’s midcentury publication remains an icon of the printed page.
Raghubir Singh, a protégé of Henri Cartier-Bresson, captured the fleeting beauty of twentieth-century India.
Aperture commemorates the life of Robert Delpire (1926–2017).
In an interview from 1973, Henri Cartier-Bresson spoke frankly about the early days of Magnum.
Spanning decades, an exhibition of the iconic photographer’s work in India reveals the fraught nature of photojournalism.
In the late 1940s, the photographer’s photographer reveled in the contradictory energies of urban life.
As spring begins we revisit the pages of vintage magazine Holiday, a luxury title launched in the 1950s known for its ambitious photographic spreads.
Remembering Albert Maysles, who examined a photograph of Matisse by Henri Cartier-Bresson for Aperture magazine issue 191.
An online-only story for Aperture magazine #217, Winter 2014, “Lit,” on Chris Marker’s travel book series.
Ellie Armon Azoulay on the Henri Cartier-Bresson retrospective at the Centre Pompidou.
A panel discussion surrounding art critic John Berger and his collected writings on photography.
An exciting opportunity to win a limited-edition Robert Capa print valued at $2,500.
Our choice of the best in online photography news and commentary.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.