In an interview from her Aperture book, the celebrated artist discusses family bonds, Native history, and how studying sculpture inspired her genre-defying photography.
Claudia Andujar has advocated for the Yanomami people throughout her career. In a major exhibition, her photographs coexist with Indigenous voices.
Since the late 1960s, Franco Salmoiraghi has made images that portray evolving notions of the sacred and political in Hawaii—and preserve an essential account of Native culture.
Ruminating on a 1995 issue of “Aperture,” Linklater began to draw, write, fold, and scan, making a new project about the ways we see each other in images.
In their portraits in the American West, Evan Benally Atwood builds a vibrant narrative about trans and Native lives.
When the Indigenous artist Krista Belle Stewart discovered a community of Germans reenacting “Indian” traditions, she felt an uncanny sense of wonder, humor, and indignation.
Reflecting on the lives of First Nations women in Canada, the artist speaks about endurance, grace, and how the pandemic offers a chance for change.
As actors, directors, and communities tell their own stories on-screen, they produce new narratives—and an Indigenous gaze.
With her self-made magazine, the Latinx artist challenges notions of gender and cultural identity.
Announcing Aperture magazine’s fall 2020 issue and programing around Native artists.
For Indigenous artists, can photographs provide a space of visual sovereignty?
Twenty years after his first visit to New Zealand, photographer Martin Toft makes a photobook about—and for—the Māori.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.