In her final book, Malcolm reflects on her career-long preoccupation with photography—and considers memory as both muse and captor.
Forty years after the publication of her collected essays on photography, Malcolm’s writing offers the pleasure of seeing a great mind grapple with the medium.
Two critics speak about how good writing on images begins with an urge to “keep looking.”
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.