By using a copier to reproduce other artists’ photographs, Aaron Stern raises questions about authorship, circulation, and the persistence of the printed image.
With dark humor, the photographer plays with perception, space, and surface.
How have West Coast photographers subverted the mythology of California?
At the Columbus Museum of Art, photographers look to the light in the sky.
William J. Simmons on Despite Intensions at Galeria Pedro Alfacinha, Lisbon, and its connections to the New Museum’s recent Sarah Charlesworth survey.
Jonathan Griffin visits photographer John Divola in advance of three simultaneous retrospectives.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.