In the 1960s, Sister Corita Kent made photographs and silk-screen posters that crackled with energy at a time of unrest.
In the postwar years, Ezra Stoller photographed iconic buildings by Frank Lloyd Wright and Mies van der Rohe. But, were his images a reality—or an ideal?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.