In the twentieth century, photographers proved you could sell anything. Today, they work in a world where you have to sell everything.
A new exhibition at Maureen Paley in London features new work by Morgan Fisher.
Artist Barney Kulok considers the relationship between photography and architecture
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.