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Matt Johnston on the Photobook Club

My interest and inquiry into photobooks truly began only five or so years ago. Martin Parr, Gerry…

David Solo on The Grand Tour: A Photobook Travelogue

Illustration by Simone Rein. As a collector, enthusiast, and supporter of photo- and artist books, I want…

Review: Andrea Josch on Luis Weinstein

Luis Weinstein Esto ha sido Self-published Santiago, Chile, 2014 Designed by Carolina Zañartu 9 x 11 7⁄8…

When to Hold ’Em and When to Fold ’Em A Conversation with Alec Soth

Lesley A. Martin touches base with Alec Soth for issue 007 of The PhotoBook Review.

Review: Daniele De Luigi on Nicoló Degiorgis

  This book was the winner of the First PhotoBook Award in the 2014 Paris Photo–Aperture Foundation PhotoBook…

Publisher Profile: Natasha Christia on La Kursala

  La Kursala, an exhibition room dedicated to emerging Spanish photographers and patron for independent publishing under…

Announcing the Winners of the Paris Photo–Aperture Foundation PhotoBook Awards 2014

From Paris Photo, Aperture announces the winners of the 2014 PhotoBook Awards.

What's in a Name? By David Campany

Why “photobooks” now? Author David Campany examines the term for issue 007 of The PhotoBook Review.

Publisher's Note: Lesley A. Martin

Dear Photobook Review reader, Over the past three years that The PhotoBook Review has been in publication,…

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Aperture No. 257

Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.

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