Santiago Escobar-Jaramillo’s photographs reflect the ambiguities of political violence in Colombia, Cuba, and Venezuela.
Photographer and writer Terry Kurgan’s recent book considers images, memory, and the reverberations of World War II.
The photobook is a space of creative potential—and a dedicated site of action.
The question of what makes a photobook “feminist” is entangled with all sorts of creative decisions, as well as worldly ones.
Dana Lixenberg revisits her portraits of pop-culture icons and everyday citizens.
April Dawn Alison made thousands of pictures focusing on a single subject—herself. But, who was she?
Wolfgang Tillmans, Tilda Swinton, Graciela Iturbide, and more—this year’s highlights in photography and ideas.
From Gerda Taro to Susan Meiselas, a new book examines the ways eight women have expanded the field of war photography.
Carmen Winant on feminism, photobooks, and the radical gestures of world-building.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.