The latest edition of FotoFest features artists and collectives from around the world who consider the weight of history on the present.
In Virginia, Christopher “Puma” Smith engaged with the debates around removing Confederate statues. But is he hopeful about the US?
Beyond the tear gas and the front lines, these Hong Kong photographers have found new ways to represent the city’s political crisis.
Protest is a form of communion.
What role have images played in our collective memory of protest?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.