At a moment when women are increasingly losing control over their own bodies, can self-representation become a form of resistance?
The Colombian artist deployed a practice of wit, charm, humor, and exaggeration in his photography, uncovering the “truths” beneath cultural conventions.
Beginning in the late 1930s, Van Leo made hundreds of dazzling and uncanny self-portraits. What does his archive tell us about the mysteries of identity?
In her new photographs made in California and Mexico, Stone embodies a practice of Black critical looking—and shows the power of seeing and being seen.
The acclaimed photographer pushes self-portraiture into new realms of gender-bending theatricality.
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.