Pérez is known for making images that appear both performative and diaristic. Here, the photographer opens up about finding and celebrating friends, family, and community, frame by frame.
Charlie Ahearn and Grand Wizzard Theodore discuss the rise of Hip-Hop at the Ecstasy Garage Disco.
On dance floors from the Bronx to Baltimore, the artist captures LGBT youth who refuse to be forgotten.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.