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Michèle Pearson Clarke tests the limits of vulnerability before the camera—and creates a novel vision of queer solace.
For the New York–based artist—whose practice incorporates photography, video, sound, installation, and performance—the research becomes the work itself.
Raised in Africa and Europe, Theo Eshetu makes kaleidoscopic films that reflect the dilemmas of biography and belonging.
South Africa’s new media artists are transforming the digital world.
The moment when still cameras began to include decent video options not only democratized filmmaking, but also marks the history of still images.
Curator Christopher Y. Lew discusses our changing relationship to technology and to the Internet.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
