How Arlene Dávila, Elizabeth Ferrer, and E. Carmen Ramos are working to challenge mainstream art history by inserting Latinx artists into white spaces.
For more than a decade, Alejandro Cartagena has photographed Mexican suburbs transformed by the rapid construction of new homes.
What do the late artist’s emotional photo-text letters reveal about the craft of self-expression?
In Los Angeles, an exhibition revisits the images and struggles of the Chicano Movement.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.