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Tanya Traboulsi pairs atmospheric images with pictures from her family archive, reflecting on the past and present of Lebanon’s capital.
The artist Taysir Batniji’s new book collects glitchy images of video calls with loved ones, offering a repository of grief at a time of war.
An exhibition at the International Center of Photography offers an expansive take on how images can be used to create, sustain, and destroy intimacy.
Strachan speaks of his work in terms of a West African street festival where dance, poetry, music, and the performing arts are jumbled together in an exuberant whole.
Winner of the 2022 Aperture Portfolio Prize, the Colombian photographer collaborates with young men living in legal limbo, creating evocative images about dreams and memory.
In her first major US retrospective, the acclaimed British artist reveals the breadth of her ambition, charting a far-reaching constellation of ideas about social identity and gender performance.
Ashley James’s group show “Off the Record” exemplifies how curators with strong vision might reform institutions from within.
The late curator’s visionary project about Black grief and white grievance arrives at an inflection point in US history.
Ten years after protests ignited across North Africa and the Middle East, how can artists give meaning to revolution?
An ambitious exhibition grapples with the conditions of our time — but can images provoke social change?
Several Lebanese artists, including Walid Raad, have embraced the artist’s talk to unpack history and the limitations of the photograph.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.
