Lyon’s riveting book about a Chicago motorcycle club is one of the definitive accounts of American counterculture—and the inspiration for a new film starring Austin Butler and Jodie Comer.
Winner of the 2024 Aperture Portfolio Prize, Pearce maps the interplay between time and the body.
In her final book, Malcolm reflects on her career-long preoccupation with photography—and considers memory as both muse and captor.
The feminist artist’s early photomontages from the 1960s and ’70s present a world both striking and deeply familiar in its critique of patriarchy and consumerism.
Gender inequality is particularly notorious in photography. An exhibition at ICP asks how far the storied agency can evolve in supporting new perspectives.
In the early twentieth century, Nichols made dreamlike photographs of the frontier that feel both intimate and faraway.
An exhibition at MoMA shows how women photographers have always demanded a seat at the table.
The photography in MoMA PS1’s latest survey of New York–area artists tells a complex story about our time—from gentrification and migration to identity and history.
A major exhibition shows how women photographers pictured themselves as they wished to be seen, both behind and before the camera.
For a prophetic group exhibition about American life, Paul Graham considers images of tenderness and melancholy.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
