Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
Stanley Wolukau-Wanambwa considers photobooks and representations of Africa.
Krakow Photomonth has grown from a rather rambunctious upstart into one of the most ambitious photography festivals. This year’s edition revolved elegantly around conflict.
Letters from Sally Mann to Melissa Harris, editor-in-chief of Aperture Foundation, about her portraits and her process, originally published as an interview in Aperture #138.
In an excerpt from Mary Ellen Mark on the Portrait and the Moment, the photographer reflects on her favorite portraits and how her now-recognizable images came to be.
In this excerpt from Brush Fires in the Social Landscape, Lynne Tillman reflects on the work and life of David Wojnarowicz
From Aperture magazine #163: critic and philosopher Arthur C. Danto (d. 2013) wrote “Instant Gratification: Robert Mapplethorpe’s Polaroids 1970-1976”
Alongside Aperture magazine #218, “Queer,” we look at this overlooked, often purposefully obscured, area of photographic history.
Writer and curator Kevin Moore on Aperture‘s founding editor Minor White’s convoluted relationship with photography and sexuality.
A social media analyst working in private intelligence considers the Islamic State’s use of photography.
Vicki Goldberg assesses the contemporary work of Vadim Guschchin and Nikolai Kulebyakin.
An excerpt from the Center for the Study of the Drone’s newly released Drone Primer.
Vicki Goldberg considers the work of Ukrainian collective Shilo-Group.
Vicki Goldberg reports back from a 2013 trip to Russia, about an exhibition of Soviet propaganda.
An excerpt from Christopher Phillips’s introduction to Site Specific: Photographs by Olivo Barbieri.
Fred Ritchin files a dispatch from Les Rencontres d’Arles.
James Welling remembers fellow photographer Sarah Charlesworth.
Leeza Ahmady and Erin Gleeson survey young Cambodian landscape photographers, via Creative Time Reports.
An essay on Malian photographer Adama Kouyaté, via Creative Time Reports.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.