A young photographer reports on the odyssey of our time.
A Greek photographer’s account of religious communities in Athens reveals a new vision of multicultural Europe.
Francine Prose speaks with Fox Solomon about the themes animating her career in photography: ritual, religion, gender, and travel.
An award-winning exhibition catalogue examines the power of photography in representing crime, war, and acts of violence.
In an exhibition inspired by Man Ray’s “Dust Breeding,” David Campany charts the strange career of a surrealist photograph.
Curator Yasufumi Nakamori discusses his game-changing show of Japanese photography with Aperture magazine editor Michael Famighetti.
David Shields’s War Is Beautiful critiques sixty-four photographs of war that ran on the front page of the Times between 1997 and 2013.
Here, in an excerpt from the book, Aperture Foundation’s executive director Chris Boot speaks with Kubota about his beginnings as a photographer.
San Francisco’s Pier 24 Photography recently opened Paul Graham’s exhibition The Whiteness of the Whale, the venue’s first-ever presentation of a single artist.
The following conversation between Aperture Foundation editor-in-chief, Melissa Harris, and Richard Misrach was recorded at his California studio in March 1992.
Davidson won acclaim for his images of Brooklyn gangs and the civil rights movement. Here, he speaks about about walking the streets of Paris with Cartier-Bresson—and of the constant photographic challenge of getting past the obvious.
Curators Sarah Meister, who focused on Horacio Coppola, and Roxana Marcoci, who researched Grete Stern, offer comments and insights into key works in the exhibition.
Berlin-based artist Kathrin Sonntag was commissioned to create one of twelve new photography-based projects for RAY 2015.
To what degree is photography dependent on chance? Robin Kelsey tackles this question in his new book, Photography and the Art of Chance.
From Aperture Magazine #147: David Wojnarowicz and Nan Goldin sat down to talk about record, memory, and the evolution of their work.
A conversation with the Johannesburg-based photographer about photography and activism, her latest series, Black Beauties, and her influences.
Lucas Foglia on photographing the transformation of the American west.
This month Aperture launched a Kickstarter campaign to ensure the publication of My Last Day at Seventeen by Doug DuBois.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.