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Photographer Macro Breuer reflects on the lasting images in Evidence for The PhotoBook Review 010
Click here to download the centerfold image designed by Kummer & Herrman.
I don’t expect to be reaching for my iPhone when I open a book. Yet Xu Yong’s…
Designers and critics share the books that have inspired their work
Editors’ Note Photobook Review Fall 2015 Arthur Herrman and Jeroen Kummer
Many good photobooks result from sustained, long-term collaboration—the kind that goes much further than just calling in…
A photobook is most immersive when it arouses an awakening in the reader—and In the Shadow of…
“There is no truer mark of financial success than making money work for you, instead of having…
My bookshelves are a repository that’s both retrospective and forward-looking. They represent numerous journeys I’ve already taken…
The fourth annual Paris Photo–Aperture Foundation PhotoBook Awards shortlist is on view through May 28, 2016
Willem Van Zoetendaal selected five books from his collection that, together, as told to Arjen Ribbens, tell the story of his publishing house.
The destruction the Great Tohoku Earthquake and tsunami waves created have profoundly impacted the way art is both made and received in Japan.
A conversation with Manfred Heiting from The PhotoBook Review 008.
Philip Gefter’s new biography of Sam Wagstaff examines the life of the influential curator and collector, and his romantic relationship with Robert Mapplethorpe.
Mira Jacob reviews Max Pinckers’s self-published photobook, “Will They Sing Like Raindrops or Leave Me Thirsty”
Jason Fulford and Aperture editor Denise Wolff discussed the parallel lives of a book through its events, and the event as intersection of artist and viewer.
Ivan Vartanian spoke to Ryuichi Kaneko about how he became one of the first and most enduring champions of the Japanese photobook.
In 1995, I began an editorial internship at Aperture. (Just one week before, Lesley Martin had started…
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
