A new exhibition at Tate Modern, London, presents photographs of war arranged by how soon after the event the photograph was made.
Alix Cléo Roubaud is virtually unknown, but an exhibition in Paris sheds light on her ethereal photographs.
A new exhibition at Hasted Kraeutler in New York features the portrait photography of Martin Schoeller.
A review of “Constructing Worlds” at Barbican Art Gallery.
Aperture Editor Michael Famighetti on work featured during the 2014 FotoFocus Biennial.
Noemi Smolik reviews Thomas Ruff’s new show at the Kunsthalle Dusseldorf.
A new exhibition at Gagosian Gallery features hundreds of works that explore Picasso’s relationship to the camera.
A new exhibition at New York’s Team Gallery, titled “ghost outfit,” considers the work of Ralph Eugene Meatyard.
Ellie Armon Azoulay on the Henri Cartier-Bresson retrospective at the Centre Pompidou.
Jacob King considers Chinese artist Ai WeiWei’s Brooklyn Museum show and his photographic practice, ranging from his work in the ’80s to his current Instagram presence.
Diana C. Stoll on Remote Sites of War at Western Carolina University’s Fine Art Museum.
Roberto Saviano reviews the Capa in Color exhibition at the International Center of Photography.
Daniel Blight reflects on Sarah Jones’s recent solo show.
Madeline Coleman on Finding Vivian Maier, a new documentary opening in U.S. theaters on Friday, March 28, 2014.
Mary Panzer reviews the Charles Marville exhibition, on view at the Metropolitan Museum of Art until May 4, 2014.
Isabel Stevens on Whitechapel Gallery’s retrospective exhibition of Dadaist artist Hannah Höch, on view through March 23, 2014.
Bronwyn Law-Viljoen on the fourth iteration of the Nigeria-based international photography festival, LagosPhoto 2013.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
