When the artist Minne Atairu began using AI to making glossy, Afrofuturist images, she discovered a dataset biased toward white women, unveiling the myth of the neutral algorithm.
Paul Kodjo’s edgy photographs of nightlife and youth culture in Ivory Coast resisted cultural norms of the 1970s. They almost disappeared forever.
For more than fifty years, Charles “Teenie” Harris created a vivid record of the city. Now, a major archival project stands to reveal the scope of his vision.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.