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A former Riot Girrl, Becca Albee’s photography unpacks the politics of color.
An early platform for lesbian photography, On Our Backs was instrumental in shaping a culture of desire.
How has feminist photography changed since the 1970s?
Jo Spence rejected categorizing labels of her work and practice and preferred to wander.
A girl-powered social media movement becomes an interactive exhibition.
In a region where women are regarded as an economic burden, Gauri Gill photographs girls in acts of quiet daring.
A collective of artists reimagines contemporary Greece.
An emerging guard of young, female photographers carves out a new brand of feminism.
Lebanese photographer Rasha Kahil turns comments from online trolls into a powerful exhibition.
The iconic actress and legendary photographer talk about cameras, color, and what it means to be a woman in the arts.
Uri McMillan speaks with Renée Cox about icons and avatars of black style, from Angela Davis to Beyoncé.
Carrie Mae Weems’s feminist vision has never been more timely.
Ahead of her new exhibition in London, Gillian Wearing speaks about Claude Cahun, self-portraiture, and feminist icons.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.
