A recent exhibition considers the legacy of James Baldwin and the civil rights era in photographs.
Highlights from the Magnum Square Print Sale
Frazier speaks about the photographic legacy of the civil rights era—and being a witness to our time.
Aperture supporters gather to celebrate Bruce Davidson.
How do Bruce Davidson’s photographs of the Selma march in 1965 find their echo in the modern debate over voter ID laws?
Magnum’s Square Sale features work that explores our collective humanity.
Davidson won acclaim for his images of Brooklyn gangs and the civil rights movement. Here, he speaks about about walking the streets of Paris with Cartier-Bresson—and of the constant photographic challenge of getting past the obvious.
Aperture magazine’s editors on our Fall 2015 issue and its nine in-depth interviews.
Emily Haas Davidson and Bruce Davidson in conversation on their latest project, Bobby’s Book.
Over 300 guests in photography, art, fashion, media, and music gathered to celebrate the relaunch of Aperture magazine.
Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.
A brief summary in images and tweets.
Images from last week’s kick-off to Aperture’s Sixtieth Anniversary Gala and Auction season.
Our choice of the best in online photography news and commentary.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
