A new book reimagines the Depression-era photography of Dorothea Lange, Walker Evans, and Gordon Parks, mapping a country of strangers and ghosts.
A new book challenges the idea of the solitary genius, investigating photography’s potential as a community action shaped by power.
The complex, finely calibrated messages of the FotoFest Biennial provoke difficult questions about what art can actually do for society beyond illustration.
From W. Eugene Smith to Dorothea Lange, photography in the 1950s and ’60s was alive with the tensions between record and metaphor.
From Dorothea Lange to Walker Evans, the FSA photographers of the 1930s shaped a vision of the world transformed by economic crisis.
A new exhibition reveals how Lange’s concern for the dispossessed has never been more relevant.
A major retrospective surveys the photographer’s career and social activism.
These photographers illuminate truths about the experience of motherhood.
How have West Coast photographers subverted the mythology of California?
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.