Elizabeth Way, Kimberly Jenkins, and Ekow Eshun consider what it means to be a Black dandy—and how the figure functions in diasporic culture and history.
Roaming Harlem on the cusp of summer, the photographer finds New Yorkers abounding in Sunday-best dazzle.
For Aperture’s summer issue, “Liberated Threads,” guest editor Tanisha C. Ford explores fashion’s ability to create possibilities for solidarity and selfhood across the African diaspora.
The rising art and fashion photographer’s debut monograph is a vivid statement about color, gesture, and style.
From album covers to Yves Saint Laurent, the London-based designer’s curiosity is limitless—and his deep knowledge of photography has informed his way of seeing the world.
The Magnum legend has fixed his irreverent gaze on high fashion for nearly thirty years—but don’t call him a fashion photographer.
On the occasion of his career-spanning exhibition in Paris, the influential photographer reflects on the boundaries between art and commerce.
A rare exhibition of the influential photographer’s work highlights one year of prodigious creativity.
In his collaborative multimedia project “The Repros,” Jojo Gronostay poses a timely critique of clothing brands, global trade, and neocolonialism.
The creative exchange between two titans gave clothing a voice of its own.
Working in fashion and reportage, the photographer cultivated a distinctive visual language. Her retrospective is a window into history in Berlin.
With her self-made magazine, the Latinx artist challenges notions of gender and cultural identity.
Are fashion photographers responsible for producing truthful images?
Aperture Foundation announces the five finalists for the New Vanguard Photography Prize.
The French brand’s new book is a collage of postcards, snapshots, and influential commissions.
These photographers show how “dandy” style shatters stereotypes around the world.
Tate Britain’s first-ever exhibition to focus on a living photographer features the work of Nick Waplington
Marketa Uhlirova on fashion films that push the boundaries of photography.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.