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For Jane Evelyn Atwood, who has photographed sex workers and prisoners, it’s all about the balance between intuition and occasion.
A long-overdue exhibition expands the canon of gay photography.
Mahmoud Khaled considers the legacy of the “Cairo 52,” the men who were arrested in 2001 at a gay-friendly nightclub.
Mark McKnight’s black-and-white images of bodies and landscapes challenge Eurocentric ideas about male beauty—and aim to make “straight” photography a little less straight.
Carolyn Drake’s photographs of the 2018 wildfires point to the human role in creating a new, terrifying normal.
Forty years after the Iran’s turbulent political transformation, a look back at the images that captivated the world.
For nearly a decade, Nina Katchadourian has made images on airplanes using only a cell phone and found objects.
From the Troubles in Northern Ireland to the wars in Southeast Asia, McCullin’s images defined the conflicts of the twentieth century.
Arguiñe Escandón and Yann Gross travel to Peru in search of connections to nature.
From over 1,000 submissions, meet our five shortlisted artists.
Essential advice on submitting to Aperture’s annual open-call exhibition.
In her latest exhibition, Phoebe Boswell takes self-portraits—and self-healing—to a new level.
In the first of our new series, “Introducing,” which highlights exciting new voices in photography, Aperture speaks with a queer, Indonesian photographer who makes explosive pictures of his family.
Hashem Shakeri’s pastel-hued, otherworldly photographs depict a landscape on the verge of destruction.
In her playful, collaborative photographs, the Chinese photographer upends the meaning of “muse.”
Elliott Jerome Brown Jr.’s photographs capture the private moments hiding in our everyday, public lives.
Through ambitious shows staged around the world, the curator raised the profile of African art and photography.
Throughout his career, photographs and family narratives have been at the center of Thomas Allen Harris’s films.
The fiftieth anniversary edition of a…
