Mike Mandel’s book “Zone Eleven” presents commercial photographs attributed to Adams. But are they essentially found images that have little to do with his artistic vision?
Since the 1980s, the photographer has searched for the foundations of culture—and discovered gender codes in high art and kitsch.
In his newest work, Marclay mines comic books and magazines to create expressive, feverish collages.
Taken during shelter-in-place orders, Pascal Shirley’s aerial pictures of LA are full of poetic foreboding.
April Dawn Alison made thousands of pictures focusing on a single subject—herself. But, who was she?
Curator Sandra Phillips previews SFMOMA’s Pritzker Center, the largest space for photography in an American museum.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.