Hannah Starkey’s cinematic, psychologically astute portraits define the contemporary flaneuse.
Susan Lipper’s sun-bleached pictures reimagine a stereotypically masculine landscape.
Zoe Leonard’s retrospective investigates the politics of image making.
The young photographer is celebrated for her raw and real depictions of femininity. But can images ever be trusted?
Are we living in a state of emergency feminism?
In photographs and videos, an artist pushes back against reductive stereotypes of black life.
A former Riot Girrl, Becca Albee’s photography unpacks the politics of color.
An early platform for lesbian photography, On Our Backs was instrumental in shaping a culture of desire.
How has feminist photography changed since the 1970s?
Jo Spence rejected categorizing labels of her work and practice and preferred to wander.
A girl-powered social media movement becomes an interactive exhibition.
Marilyn Minter brings her brand of glittery feminism to the Brooklyn Museum.
In a region where women are regarded as an economic burden, Gauri Gill photographs girls in acts of quiet daring.
An emerging guard of young, female photographers carves out a new brand of feminism.
Lebanese photographer Rasha Kahil turns comments from online trolls into a powerful exhibition.
The iconic actress and legendary photographer talk about cameras, color, and what it means to be a woman in the arts.
Uri McMillan speaks with Renée Cox about icons and avatars of black style, from Angela Davis to Beyoncé.
What does photography offer the trans feminism movement?
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.