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reviews

Delirious Tokyo

Daido Moriyama, Color, 2017  
© Daido Moriyama Photo Foundation and courtesy of Luhring Augustine, New York and Taka Ishii Gallery, Tokyo
Daido Moriyama, Color, 2017  
© Daido Moriyama Photo Foundation and courtesy of Luhring Augustine, New York and Taka Ishii Gallery, Tokyo

In a new exhibition, Daido Moriyama returns to his icons and obsessions.

reviews

The Fate of Thoreau’s Pond

Combing hair after a swim, August 2010
Combing hair after a swim, August 2010

In Walden, Massachusetts, S.B. Walker’s meditates on the cruel contradictions of modernity.

reviews

The Urban Riders of North Philadelphia

Mohamed-Bourouissa-Horse-Day-2015-Stills-Left-screen-21
Mohamed-Bourouissa-Horse-Day-2015-Stills-Left-screen-21

Mohamed Bourouissa explores how a neighborhood on the verge of gentrification etches out marks of distinction.

reviews

10 Exhibitions to See This Fall

Stephen Shore, Santa Fe, New Mexico June 1972
© the artist
Stephen Shore, Santa Fe, New Mexico June 1972
© the artist

From Malick Sidibé to Stephen Shore, here are the must-see photography exhibitions in New York, Los Angeles, Paris, and beyond.

reviews

At Documenta, Blurred Lines Between Art and Politics

Ahlam Shibli, Ahlam Shibli, Untitled (Heimatno. 27), Nordhessen, Germany, 2016–17.
Rathaus Kassel, March 3, 2017. Murat Çakır’s presence as a translator is required at the wedding of Çiğdem Yalcin and Göksel Akgül at Kassel City Hall because the groom, originating from Izmir in Turkey, doesn’t speak German. The young people met during the bride’s vacation in Turkey and decided to establish themselves at the center of her life. Mr. Akgül will work in Kassel at the bride’s father’s advertising agency. Mr. Çakır considers this photograph of the wedding ceremony important because the presence of the translator demonstrates that Germany is, and has been for long a time despite all political denial, a country of immigrants. The bride’s father is called Hüseyin Yalcin and belongs to the second generation of guest workers. The witnesses are Jessica Seitz and Senem Korkmaz
© and courtesy the artist
Ahlam Shibli, Ahlam Shibli, Untitled (Heimatno. 27), Nordhessen, Germany, 2016–17.
Rathaus Kassel, March 3, 2017. Murat Çakır’s presence as a translator is required at the wedding of Çiğdem Yalcin and Göksel Akgül at Kassel City Hall because the groom, originating from Izmir in Turkey, doesn’t speak German. The young people met during the bride’s vacation in Turkey and decided to establish themselves at the center of her life. Mr. Akgül will work in Kassel at the bride’s father’s advertising agency. Mr. Çakır considers this photograph of the wedding ceremony important because the presence of the translator demonstrates that Germany is, and has been for long a time despite all political denial, a country of immigrants. The bride’s father is called Hüseyin Yalcin and belongs to the second generation of guest workers. The witnesses are Jessica Seitz and Senem Korkmaz
© and courtesy the artist

An ambitious exhibition grapples with the conditions of our time — but can images provoke social change?

reviews

John Divola’s Upside Down Formalism

John Divola, Untitled 90UC (detail), 1990
Courtesy the artist and Gallery Luisotti
John Divola, Untitled 90UC (detail), 1990
Courtesy the artist and Gallery Luisotti

With dark humor, the photographer plays with perception, space, and surface.

reviews

All That Paradise Allows

In-Most-Tides-1
In-Most-Tides-1

In Crimea and the Caribbean, Nicholas Muellner’s new photobook is a tropical gothic of seduction and violence.

reviews

Does the Venice Biennale Have a Problem with Photography?

Ilgara_featured
Ilgara_featured

At the world’s most prestigious contemporary art exhibition, photographers are on the margins.

reviews

Photographing the Body Electric

Samantha-Contis-Hold-Down_IMG_0459NEW_CROP_featured
Samantha-Contis-Hold-Down_IMG_0459NEW_CROP_featured

Sam Contis’s first photobook revels in the land, skin, and mythologies of the American West.