Photography has a new home in New York. Come visit us at 380 Columbus Avenue!
From giant poodles to accidental spills, Kenya Sugai finds strange pleasures among the city’s shadows.
In Mexico and New York, Luis Manuel Diaz takes the drama and beauty of Catholic religious painting and applies it to everyday life.
The Brazilian photographer makes a utopian world encompassing moments of raw, unmediated freedom.
The young artist has photographed Teyana Taylor and worked with Nike, all while pursuing a vibrant style shaped by growing up in New York.
Blending fashion and art, Sophia El Bahja’s photographs showcase the diversity of Morocco.
In his documentary-style images, Thero Makepe pursues a visual language that references fables, current affairs, and family dynamics.
Dreamy and sun drenched, Sander Coers’s images are precociously self-assured and emotionally resonant, recalling the atmosphere of Éric Rohmer’s summer idylls.
By restaging scenes of state violence in the city, Vani Bhushan blurs the distinction between history and memory.
In Bangladesh, Sarker Protick combines the impulses of a photojournalist with the intuition of a musician, unpacking questions about photography’s relationship to time and memory.
David Gilbert’s colorful studio photographs feel intensely private, like a scrapbook for a tightly knit circle of friends.
Sara Kontar left Damascus in 2015 and, like many Syrians fleeing an intractable war, began a new life in France. For her, the camera became a means of processing displacement and nourishing community.
Cansu Yıldıran’s galvanic images of women activists and queer communities portray the pressures of a society in transition.
When Gonzalo Reyes Rodriguez discovered a trove of pictures of a young man inventing himself, he found a way to speak about desire and beauty.
Ibrahim Ahmed’s collages explore his upbringing in Kuwait, Egypt, and the United States—and the complex power of performance.
Abdul Hamid Kanu Jr.’s images of daily life transform a West African city into its own poetic universe.
Adam Rouhana’s images oscillate between moments of beauty and scenes of colonization, providing an intimate view of life under Israeli occupation.
In her images of Salvador and its residents, Laryssa Machada engages with issues of race, territoriality, visibility, and memory.
Thembinkosi Hlatshwayo’s experimental, multilayered images invoke the chance gestures and social life of taverns in Johannesburg.
The fiftieth anniversary edition of a…
