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In the early 2000s, John Divola photographed the soundstages of the classic sci-fi show, revealing a world suspended between illusion and apparatus.
Kawauchi takes the smallest moments and finds in them a universe, passing her unwavering attention on to us.
In Tamil Nadu, Gayatri Ganju photographed the Indigenous Kurumba people and listened to their stories—and was allowed to take one out into the world.
In the wooded enclaves of Northern California, Michael Schmelling documents what’s left of the 1960s back-to-the-land movement.
In the drylands of Balochistan, a photographer chronicles the art of everyday survival.
Building large-scale camera obscuras, Chiara makes wistful photographs that recall the medium’s origins—and our own.
Aspen Mays makes photographs without a camera and in total darkness, conjuring images both intimate and otherworldly.
In search of lost youth, the New York–raised Sung Jin Park spent his thirties photographing high schoolers in his native Korea.
Last December, South Korea found itself under martial law for the first time since the Gwangju Uprising. Yezoi Hwang took to the streets with her camera.
In her performative self-portraits, Rosi speaks to experiences of the African diaspora across Europe.
For half a century, Fox Solomon photographed New Yorkers and their habitats, unraveling the city’s public and private histories.
In his crisp, ecstatic photographs, Nuits Balnéaires draws from iconic West African portraiture to depict his circle of friends and family.
Khader’s photographs of people in conflict zones across the Middle East document violence and grief alongside moments of tenderness and reprieve.
Leaving leftovers in her backyard, Lia Darjes creates a stage for a series of improvised tableaux.
When the artist Minne Atairu began using AI to make glossy, Afrofuturist images, she discovered a dataset biased toward white women, unveiling the myth of the neutral algorithm.
Engman’s experiments with AI offer an indelible collection of “cursed images” inspired by a feeling of being nostalgic for the present.
In the 1980s, Goldchain captured tender moments of life against a backdrop of political violence.
In the mid-1980s, Ghirri was invited to make promotional photographs for the mythic carmaker. His images bring the company down to earth from the upper stratosphere of luxury.
The fiftieth anniversary edition of a…
