An exhibition contends with the role of images, policy, and activism in forming our relationship to labor and the American Dream.
A new book reimagines the Depression-era photography of Dorothea Lange, Walker Evans, and Gordon Parks, mapping a country of strangers and ghosts.
In their book “Body Language,” Nick Mauss and Angela Miller show how a group of artists shaped a network of queer image culture decades before Stonewall.
Erwitt taught himself photography as a teenager. His most famous work was defined by wit, exuberance, and irrepressible curiosity.
During World War II, Miyatake made surreptitious photographs of Japanese Americans incarcerated by the US government. He saw little need to glorify, humanize, or even individualize the prisoners—because he was one of them.
An exhibition in London of the artist and suffragette’s vibrant work uncovers a pioneer of photography.
New Directions covers from the mid-twentieth century are easy to spot but difficult to describe, often using pictures to describe words rather than the other way around.
The newsmagazine’s iconic and influential photo-essays were a collective effort. For contemporary artists, they’re rich territory for the interrogation of print media.
Maia Silber reflects on photographer Gordon Parks, the infamous “doll tests” of the 1940s, and segregation.
An essential look at the vital photography scene of South Korea’s capital.