In his project “A Reprise,” the photographer remixes Walker Evans’s images of African sculptures—and poses bold questions about what we consider fake or original, art or archive.
Elizabeth Way, Kimberly Jenkins, and Ekow Eshun consider what it means to be a Black dandy—and how the figure functions in diasporic culture and history.
Roaming Harlem on the cusp of summer, the photographer finds New Yorkers abounding in Sunday-best dazzle.
Solange Knowles interviews the director about her visionary career spanning fashion, photography, music, and film.
For Aperture’s summer issue, “Liberated Threads,” guest editor Tanisha C. Ford explores fashion’s ability to create possibilities for solidarity and selfhood across the African diaspora.
Smith’s poetic and experimental images are icons of twentieth-century Black life. In an interview, she speaks about her life and career—and the transcendent power of photography.
From Arielle Bobb-Willis’s vividly playful tableaux to Ernest Cole’s incisive photographs of America in the late 1960s, here are essential titles to read this Black history month.
For decades, Cuffie’s work has languished in boxes waiting to be discovered. Now, his photographs of Baltimore in the 1970s are finally getting their due.
In this interview from his Aperture monograph, the artist speaks about his entry into photography and the collective legacies of Blackness.
When the artist Minne Atairu began using AI to make glossy, Afrofuturist images, she discovered a dataset biased toward white women, unveiling the myth of the neutral algorithm.
Kimberly Juanita Brown reveals how the photographic enterprise is haunted by racial violence, finding new ways of looking at the dead and the living.
A visit to North Carolina influenced the photographer’s ideas about the power of family.
Clifford Prince King speaks with Lyle Ashton Harris about displaying sensual images of Black queer men on bus shelters and newsstands.
From monographs by Awol Erizku and Deana Lawson, to collections on fashion, community, and power, here are essential titles to read this Black History Month.
In his latest exhibition, the artist considers the poetics of space, presenting sculptures and photographs that move off the wall.
For more than fifty years, Charles “Teenie” Harris created a vivid record of the city. Now, a major archival project stands to reveal the scope of his vision.
Ekow Eshun, Tanisha C. Ford, Tyler Mitchell, and Antwaun Sargent on the visionary photographer whose images and activism helped popularize the slogan “Black Is Beautiful.”
The photographer Adraint Bereal captures the agony and ecstasy of what it is to be a Black college student in the United States.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.