Throughout his career, photographs and family narratives have been at the center of Thomas Allen Harris’s films.
In the age of climate change, how are photographers and artists envisioning dramatically politicized landscapes?
A British photographer’s fashion-forward family pictures.
What can the doll community tell us about relationships today?
Through her ambitious curating, writing, and teaching in Africa and beyond, Silva was a force for change in contemporary art.
In an era of monopolized truth, Mexico is one of the most dangerous places in the world to be a journalist.
Ray K. Metzker spent his career exploring the boundaries of photography in order to break them.
Susan Lipper, Kristine Potter, and Justine Kurland deconstruct the mythology of the Wild West.
The photographer’s psychological portraits cast a unifying light around the world.
In remote stretches of desert, Richard Misrach and Guillermo Galindo record traces of volunteer efforts—and attempts by Border Patrols to stop them.
In Florida, Kathryn Harrison photographs her mother and brother with fearless intensity.
At home in Japan, Motoyuki Daifu captures his family with gleeful candor.
Keith Smith on the elaborate art of sequencing pictures.
Susan Ressler revels in the immaculate offices of days gone by.
For Roma Publications, the artist’s vision is front and center.
What can Robert Bergman teach us about the act of seeing?
In dizzying sequences, the irreverent photographer embraces risk and failure.
In the city of Lianzhou, visions of global power collide with official censorship.
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.