Masahisa Fukase transformed the ritual of the family portrait into a source of play—and a memento mori.
Eight years after a devastating tsunami, Lieko Shiga investigates Japan’s haunted landscapes.
At home in Japan, Motoyuki Daifu captures his family with gleeful candor.
At the Museum of Sex, a new look at the prolific—and provocative—Japanese photographer.
In a new exhibition, Daido Moriyama returns to his icons and obsessions.
Daido Moriyama speaks about his Provoke days and capturing the streets of Tokyo.
As Japan’s capital transformed, Yutaka Takanashi deployed a radical style to picture urban change.
From student demonstrations to farmers in revolt, Kazuo Kitai captured the social tumult of 1960s Japan.
Japanese curator Rei Masuda discusses how postwar Japanese photographers adapted to a new era.
Student protests shook late-1960s Japan. Hitomi Watanabe bore witness from inside the movement.
In the first of an ongoing series of interviews about Japanese photography with Tsuyoshi Ito, Curator Simon Baker discusses the radical new vision of the 1960s.
The destruction the Great Tohoku Earthquake and tsunami waves created have profoundly impacted the way art is both made and received in Japan.
Ivan Vartanian spoke to Ryuichi Kaneko about how he became one of the first and most enduring champions of the Japanese photobook.
A panel discussion on Japanese photographer Shomei Tomatsu at Aperture gallery.
A panel discussion on the career and influence of Japanese Photographer Eikoh Hosoe.
Images from the production of Ametsuchi, Rinko Kawauchi’s latest monograph.
Revisiting Rinko Kawauchi in conversation with Magnum photojournalist Martin Parr.
An exhibition of Daido Moriyama’s vintage prints is on display at Galerie Bob van Orsouw in Zurich, on view through February 23, 2013.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.