Jason Quincy Bailey speaks with leading motion graphics designer Jakob Trollbäck about his journey in design, and the role of photography in his work.
Paula Kupfer speaks with photographer Paolo Woods about his new work from Haiti, currently on view at the Musée de l’Elysée in Lausanne, Switzerland.
Sabine Mirlesse interviews Lorna Simpson on the occasion of the artist’s survey exhibition at Jeu de Paume, Paris.
Andrea Hill interviews Karol Hordziej about Krakow Photomonth 2013 and the future of photography festivals.
Photographer Anne Hardy speaks about her new exhibition of photographs and sculptures at Maureen Paley, London.
In this interview, photojournalist Michael Kamber discusses his new book Photojournalists on War: The Untold Stories from Iraq.
“I wanted to discover, through the use of images and objects, a way to translate my original experience of these European sites.”
These Cold War objects exerted major influence on the culture of their day. It’s not just coincidence that they happen to look like art.
You may have to develop your own technology for your images. I’m not much interested in “straight” photography anymore.
The moment when still cameras began to include decent video options not only democratized filmmaking, but also marks the history of still images.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Photographer Bill Armstrong speaks with Aperture about his Infinity series, and his latest exhibition in New York.
Melissa Harris spoke with Daniel Vasella, then of Novartis AG, to understand both his passion and his criteria for commissioning photography.
Aperture speaks with the curator and a participating artist in Color Shift, a show that explores and revisits modernism’s reductive approach to medium, material, and color.
An interview with photographer Laura Letinsky, who has explored the expressive possibilities of still-life photography for fifteen years.
Aperture speaks with curator Okwui Enwezor about the exhibition “Rise and Fall of Apartheid” at International Center of Photography.
A look back at Aperture’s top five of 2012.
The Los Angeles–based photographer Zoe Crosher has had quite a big year. Carmen Winant spoke with the artist about her work.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.