Zoë Lescaze on Jeff Wall’s exhibition at Marian Goodman Gallery in New York.
In a new photography exhibition at the Guggenheim, words and text take center stage.
Joseph Gergel reports on the tenth edition of Rencontres de Bamako, West Africa’s venerable photography festival.
A new exhibition at Salon 94 in New York brings to light Gordon Parks’s long-lost photographs from a breakthrough 1956 Life photoessay.
William J. Simmons on Despite Intensions at Galeria Pedro Alfacinha, Lisbon, and its connections to the New Museum’s recent Sarah Charlesworth survey.
With a Tom Sandberg survey exhibition this summer as well as the 2015 edition of the Fotobokfestival this fall, the Norwegian capital’s photography scene is flourishing.
An exhibition of August Sander’s prints, made by his son, Gunther, features some of the most iconic portraits of the twentieth century.
A review of PCR, Wolfgang Tillmans’ first exhibition with David Zwirner Gallery, by Gabriel H. Sanchez.
Trevor Paglen’s new exhibition at Metro Pictures focuses on the unseen images of the Internet.
Diana C. Stoll reviews Ken Abbott’s new exhibition at the Asheville Art Museum, North Carolina, which focuses on the day-to-day of a prominent local farm.
On Josef Astor’s recent exhibition at Participant Inc., New York, which connects photography, installation, and dance.
A review of Gillian Laub’s work, Southern Rites, which documents the residents of a Southern U.S. town that held racially segregated proms.
A review of Candida Höfer’s recent show at Sean Kelly Gallery, New York.
Tate Britain’s first-ever exhibition to focus on a living photographer features the work of Nick Waplington
Two exhibitions highlight collections of art and oddities belonging to some of today’s most prominent photographers.
In How We See, Laurie Simmons revisits familiar territory, posing models in staged scenes emulating doll-like figures.
Janet Delaney: South of Market gives a glimpse of a bygone San Francisco, before Silicon Valley and soaring rents defined the city
A review of Thomas Demand’s multiple exhibitions now on view in Los Angeles.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
