Gasparini spent his life documenting cities and people from Havana to Caracas. In a 2015 interview, he spoke about what it means to identify as a Latin American photographer.
An exhibition shows how both photographers were engaged with classical figuration—and offers an occasion to revel in prints made centuries apart.
For decades, US officials sought to suppress independence movements in Puerto Rico, spying on activists and their families. What do their formerly secret files reveal?
Gerald Annan-Forson portrayed Ghana in the 1970s from an intimate perspective, telling a spectacular story of political and social change.
Fink, who died in November, moved easily between society galas and Pennsylvania farms—and his work was always full of the push and pull of life.
In the 1970s, Dennis Feldman photographed living rooms across the country. What do his images of TVs reveal about the national consciousness?
Paul Kodjo’s edgy photographs of nightlife and youth culture in Ivory Coast resisted cultural norms of the 1970s. They almost disappeared forever.
An exhibition showcases artists and collectives that built queer image cultures with lasting influence.
Claudia Andujar has advocated for the Yanomami people throughout her career. In a major exhibition, her photographs coexist with Indigenous voices.
The feminist artist’s early photomontages from the 1960s and ’70s present a world both striking and deeply familiar in its critique of patriarchy and consumerism.
Capturing the cultural grain of the times, artists from Ralph Eugene Meatyard to William Eggleston carefully navigated the shifting lines between tradition and transformation.
In 1977, when the photographer Marilyn Nance traveled to Nigeria for FESTAC, she discovered a euphoric reunion of the African Diaspora.
Working in fashion and reportage, the photographer cultivated a distinctive visual language. Her retrospective is a window into history in Berlin.
The photographer revisits his deeply funny and idiosyncratic images of suburbs, celebrities, and California in the 1970s.
In the 1970s, Sunil Gupta photographed moments of desire and liberation in New York’s gay capital.
For more than fifty years, the South African photographer has documented the structures of a divided society.
The civil rights-era photographs of Louis Draper and Leonard Freed shed light on the complex lives of African Americans.
In the late 1970s, Mary Lucier pointed her camera at the sun and broke the rules of a new medium.
To celebrate the magazine’s new look, Aperture is pleased to offer a special set of all three unique covers of “The Design Issue,” featuring images by David Hartt, Luigi Ghirri, and Dayanita Singh. Limited quantities available.
