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In Dave Swindells’s photographs, nightclubs become spaces for community and belonging.
Years after the South African photographer’s sister mysteriously disappeared, his images become a public record of a private myth.
Through her work with Tina Modotti and Edward Weston, the visionary writer Anita Brenner ushered in the Mexican renaissance.
Sandrine Colard and Laurence Butet-Roch examine the history of how African women have been pictured, and in turn, how they look back at the viewer.
For ten years, Adam Murray and Robert Parkinson have celebrated the hyperlocal through their expansive photo project.
The artist looks back on a town that has long captivated his imagination, through every flowering of identity and sexual politics.
Inspired by Virginia Woolf’s iconic novel Orlando, the artists in Aperture’s “Orlando” issue explore the limitless territories of identity, history, and consciousness.
In a new series of photobooks, the revered photographer conjures the mysteries of faith in South Africa.
In the male body and the physical world, an unexpected seduction.
Because of luck, serendipity, or absurd connection, Miguel Calderón’s photographs unlock the power of things in daily life.
From Gerda Taro to Susan Meiselas, a new book examines the ways eight women have expanded the field of war photography.
Decades before Grindr, Instagram, and erotic selfies, the photographer was famous for his extreme sexual-artistic practice.
In a new edition of Koudelka’s foundational series, Aperture revisits one of the seminal photobooks of the twentieth century.
For the Mexican artist, it’s all about the sculptural form—sweat, shadows, futons, and tortillas.
What do the late artist’s emotional photo-text letters reveal about the craft of self-expression?
Against the backdrop of the US presidential election, a photographer documents growing cultural tensions in the Pacific Northwest’s rural communities.
Carmen Winant on feminism, photobooks, and the radical gestures of world-building.
How can photography represent humanity’s longing for spiritual connection and solidarity?
Aperture’s issue on craft features photographers who make pictures the slow way—building camera obscuras, creating photograms, and laboring in traditional darkrooms to make handmade, unrepeatable forms.