A major exhibition shows how women photographers pictured themselves as they wished to be seen, both behind and before the camera.
Through her work with Tina Modotti and Edward Weston, the visionary writer Anita Brenner ushered in the Mexican renaissance.
What do modern masterworks look like in black and white?
What is photographic education today? The question elicits a wave of differing, often contesting answers.
Curator Christopher Y. Lew discusses our changing relationship to technology and to the Internet.
Melissa Harris spoke with Daniel Vasella, then of Novartis AG, to understand both his passion and his criteria for commissioning photography.
Brooklyn-based writer and curator Gene McHugh dissects photography’s role within the real world and the virtual world.
Charlotte Cotton discusses a wave of photographic innovation.
Taryn Simon presents and discusses her work, including A Living Man Declared Dead and Other Chapters, I – XVIII.
Now available – a reprint of Nan Goldin’s 1986 classic The Ballad of Sexual Dependency.
A sixtieth anniversary celebration and reading room launches at Aperture Gallery.
The Google Street View photographer speaks on his reinterpretation of American street photography.
The LA photographer opens a show of large-scale color photo collages and black & white images.
The Photography Changes Everything author speaks at the Atlanta Contemporary Art Center.
A new photography exhibition at Aperture Gallery opens Wednesday, October 17.
Looking at the relationship between the work of two influential street photographers.
The New York Times Lens blog features Lyon’s bucolic wallpaper scenes.
A brief summary in images and tweets.
Aperture’s fall issue, “Arrhythmic Mythic Ra,” refracts themes of family, social history, and the astrophysical through the eyes of guest editor Deana Lawson, one of the most compelling photographers working today.
