Carmen Winant’s archive considers the terrors and pleasures of childbirth.
Where do artists go for inspiration? For some, it’s a museum, for others, it’s the stacks.
Libraries multiply the audience for a book—almost without limit.
D. H. Lawrence admired the American Southwest but found Southern California troubling: “In a way, it has…
Amos Mulder is a video artist whose works include visual responses to found footage, texts, and photographic…
America is defined as much by its open spaces—where the hand of man is invisible or…
A photographer’s obsessive relationship with his wife, and the powerful yet peculiar work that resulted.
My first encounter with In Flagrante (1988) was in San Francisco, where the year it was released…
The images in Adam Broomberg and Oliver Chanarin’s Spirit is a Bone were made using advanced facial…
The Belgian artist Marcel Broodthaers has long suffered from a bifurcated reception: while his work has been…
I don’t expect to be reaching for my iPhone when I open a book. Yet Xu Yong’s…
Designers and critics share the books that have inspired their work
Editors’ Note Photobook Review Fall 2015 Arthur Herrman and Jeroen Kummer
Many good photobooks result from sustained, long-term collaboration—the kind that goes much further than just calling in…
The new issue of the Aperture Photography App is now available to download on your iOS device. Here’s a look inside Issue 20.
A conversation with Manfred Heiting from The PhotoBook Review 008.
Philip Gefter’s new biography of Sam Wagstaff examines the life of the influential curator and collector, and his romantic relationship with Robert Mapplethorpe.
The Spring 2015 issue of The PhotoBook Review, Aperture’s biannual journal dedicated to the consideration of the photobook, is out now.
Aperture presents “Image Worlds to Come: Photography & AI,” a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images.