Editorial

The young artist has photographed Teyana Taylor and worked with Nike, all while pursuing a vibrant style shaped by growing up in New York.

In Paris, an exhibition considers issues of identity, belonging, and political upheaval—and highlights experiments in hybrid forms of image-making.

For decades, Louis Mendes and his press camera have been a staple of the city’s street life.

The artist has squatted in an abandoned Parisian hotel, worked as a nosy chambermaid, and followed an unsuspecting stranger across Venice—all to create uncanny works with the pulse of detective stories.

The artist reflects on how ideas of history, identity, and power have always informed her acclaimed photography.